Saturday 20 December 2014

Free Pk movie download : pk full hindi movie download



Download pk full hindi movie 2014 online for free.Pk is a hindi blockbuster movie that rocked indian cinema in december.
The flick slowly pierces a thought into our wits that would remain there for long. We all believe in God and yes there is no question of undermining its power. However, there is a strong condemnation over its presence, which earlier Bollywood movies have made.Pk hindi movie is one of the best hindi movies of 2014.And after the sucess of dhoom 3 aamir khan has released pk movie.
Aamirkhan releases one movie per year and pk is one of his creations

Stars- Aamir Khan
           Anushka Sharma
           Saurabh Shukla 
           Sanjay Dutt 
           Sushant Singh Rajput
           Boman Irani
 

Director- Rajkumar Hirani 

Music- Shantanu Moitra, 
             Ajay-Atul, 
             Ankit Tiwari 
             and Ram Sampath

               Download pk hindi movie full version HD below, size:  900 MB

Free Pk movie download
Post interval, it slumps. The focus, which till then is on a character who intrigues us while interesting things are happening to him, gets diluted by a wholly superfluous romance (and songs, tuneful as a couple are), and a face-off between the guy awash in goodness who asks all the right questions and the bad godman who has all the wrong answers.
The robustness of the dialogue (it has a word which made me gasp and laugh out loud, but I’m not telling which) and the sting in the situations way to exposition. From this point on, ‘PK‘ becomes a message-y let-us-expose-those-who-give-religion-a-bad-name, just like the magnificent ‘Munnabhai’ took the pants off bad medical practice, its sequel docked legal sharks, and ‘3 Idiots’ taught a lesson to misguided educators.
- See more at: http://indianexpress.com/article/entertainment/movie-review/pk-review-aamir-khan/#sthash.NoNBQNzC.dpuf
   
Post interval, it slumps. The focus, which till then is on a character who intrigues us while interesting things are happening to him, gets diluted by a wholly superfluous romance (and songs, tuneful as a couple are), and a face-off between the guy awash in goodness who asks all the right questions and the bad godman who has all the wrong answers.
The robustness of the dialogue (it has a word which made me gasp and laugh out loud, but I’m not telling which) and the sting in the situations way to exposition. From this point on, ‘PK‘ becomes a message-y let-us-expose-those-who-give-religion-a-bad-name, just like the magnificent ‘Munnabhai’ took the pants off bad medical practice, its sequel docked legal sharks, and ‘3 Idiots’ taught a lesson to misguided educators.
- See more at: http://indianexpress.com/article/entertainment/movie-review/pk-review-aamir-khan/#sthash.NoNBQNzC.dpuf
Post interval, it slumps. The focus, which till then is on a character who intrigues us while interesting things are happening to him, gets diluted by a wholly superfluous romance (and songs, tuneful as a couple are), and a face-off between the guy awash in goodness who asks all the right questions and the bad godman who has all the wrong answers.
The robustness of the dialogue (it has a word which made me gasp and laugh out loud, but I’m not telling which) and the sting in the situations way to exposition. From this point on, ‘PK‘ becomes a message-y let-us-expose-those-who-give-religion-a-bad-name, just like the magnificent ‘Munnabhai’ took the pants off bad medical practice, its sequel docked legal sharks, and ‘3 Idiots’ taught a lesson to misguided educators.
- See more at: http://indianexpress.com/article/entertainment/movie-review/pk-review-aamir-khan/#sthash.NoNBQNzC.dpuf
Post interval, it slumps. The focus, which till then is on a character who intrigues us while interesting things are happening to him, gets diluted by a wholly superfluous romance (and songs, tuneful as a couple are), and a face-off between the guy awash in goodness who asks all the right questions and the bad godman who has all the wrong answers.
The robustness of the dialogue (it has a word which made me gasp and laugh out loud, but I’m not telling which) and the sting in the situations way to exposition. From this point on, ‘PK‘ becomes a message-y let-us-expose-those-who-give-religion-a-bad-name, just like the magnificent ‘Munnabhai’ took the pants off bad medical practice, its sequel docked legal sharks, and ‘3 Idiots’ taught a lesson to misguided educators.
- See more at: http://indianexpress.com/article/entertainment/movie-review/pk-review-aamir-khan/#sthash.NoNBQNzC.dpuf
The film starts off with PK (Aamir Khan), an alien, landing on earth, in the desert of Rajasthan, to study about human begins and life on earth.
Arriving stark naked on a earth, PK has a rough start on the planet when his tracking remote, that helps him send signals back to his spaceship, gets stolen. He now has to find the remote to contact his spaceship and till then survive on earth on his own. Unaware of human mannerisms, language or life in general on earth, PK finds it difficult to adjust. However, fate brings him in touch with Bhairav Singh (Sanjay Dutt) who becomes his dear friend and helps him with life on earth. But destiny takes PK to Delhi. From here on starts a whirlwind story of a stranger in the unknown city of Delhi asking questions that despite their innocence hold a valuable and deep meaning. Aided on by Jagat Janani (Anushka Sharma) who teams up with him on this journey, PK challenges some of the oldest rituals of religion that are ruling life of people on earth.       
Post interval, it slumps. The focus, which till then is on a character who intrigues us while interesting things are happening to him, gets diluted by a wholly superfluous romance (and songs, tuneful as a couple are), and a face-off between the guy awash in goodness who asks all the right questions and the bad godman who has all the wrong answers.
The robustness of the dialogue (it has a word which made me gasp and laugh out loud, but I’m not telling which) and the sting in the situations way to exposition. From this point on, ‘PK‘ becomes a message-y let-us-expose-those-who-give-religion-a-bad-name, just like the magnificent ‘Munnabhai’ took the pants off bad medical practice, its sequel docked legal sharks, and ‘3 Idiots’ taught a lesson to misguided educators.
- See more at: http://indianexpress.com/article/entertainment/movie-review/pk-review-aamir-khan/#sthash.NoNBQNzC.dpuf
Post interval, it slumps. The focus, which till then is on a character who intrigues us while interesting things are happening to him, gets diluted by a wholly superfluous romance (and songs, tuneful as a couple are), and a face-off between the guy awash in goodness who asks all the right questions and the bad godman who has all the wrong answers.
The robustness of the dialogue (it has a word which made me gasp and laugh out loud, but I’m not telling which) and the sting in the situations way to exposition. From this point on, ‘PK‘ becomes a message-y let-us-expose-those-who-give-religion-a-bad-name, just like the magnificent ‘Munnabhai’ took the pants off bad medical practice, its sequel docked legal sharks, and ‘3 Idiots’ taught a lesson to misguided educators.
- See more at: http://indianexpress.com/article/entertainment/movie-review/pk-review-aamir-khan/#sthash.NoNBQNzC.dpuf
     
An alien (Aamir Khan) gets stranded on earth with nothing including clothes except a locket which was his remote to call the spaceship to go to his planet back. But, in a short time, the locket is looted from the alien. He tries to get it back but is unsuccessful. He comes to a land quite different from his home place where he slowly understands the use of money and clothes.
Once, when he was running for his life, he gets hit by the vehicle of Bhairon Singh (Sanjay Dutt) who thinks that the alien has lost his memory and is unable to recognize anyone. He takes the alien to his place and helps him try to adjust to Earth customs. He doesn't understand the language on Earth and in order to do so, he tries to transfer it from women's hands. Bhairon thinks that the alien is attracted towards women, so, he takes him to a night club where he was free to hold hands. After 6 hours of transferring, he gets to know their language from a girl, Phuljhadiya (Reema Debnath).
After being able to speak, PK tells his friend Bhairon that someone stole his locket. So, Bhairon tells him that the robber won't sell the locket at that place to avoid getting caught and may have gone to Delhi. So, PK goes to Delhi and tries to inquire about his locket where he gets to listen phrases such as - "Only God can help you" from everywhere. So, he sets out to find God and ends up in a series of confusions as to find God of which religion. Meanwhile, everyone thinks that he is drunk and because of this gets the name 'PK'.
On a day, a TV reporter Jagat Janani (Anushka Sharma), better known as Jaggu, finds strange when she comes across PK as he was distributing posters for 'Missing God'. She follows him and end up saving him from being beaten up when he was stealing money from a temple. She inquires about everything and broadcast it on her channel. Jaggu tries to help PK find his locket to go back to his planet. His locket was with a Godman Tapasvi Maharaj (Saurabh Shukla). Jaggu and PK set out to get the locket in a series of drama and claim that Tapasvi Maharaj was calling the 'Wrong Number' and not really God.
Meanwhile, PK falls in love with Jaggu but comes to know that she loved Sarfaraz (Sushant Singh Rajput) whom she was to marry but abandoned the idea following a misunderstanding. Meanwhile, Bhairon Singh catches the robber and reached Delhi with him but both died in a bomb blast. PK and Tapasvi Maharaj clash with each other during a TV Show on Jaggu's news channel. With the help of Jaggu's boss, he proves that Sarfaraz was not wrong for which in turn he got his locket.
Jaggu and PK go to the place where they had called the spaceship for PK to go back to his planet. During which, Jaggu comes to know that PK loved him. But, PK refused to accept this and went back. Jaggu writes a book on PK and exclaims that he gave her two things - Sarafaraz and the love of her father (Parikshit Sahni).
Source : http://en.wikipedia.org/wiki/PK_%28film%29
      

The first poster came out on 31 July 2014.A motion poster was also released on the same day on YouTube. The poster sparked a controversy as it featured Aamir Khan posing almost nude with only a transistor covering his private parts. The poster was criticized for allegedly promoting obscenity. A PIL was filed in the court by the All India Human Rights and Social Justice Front to ban the release of the film. The Supreme Court dismissed the plea and gave the movie a green signal.
There were also allegations on the poster being copied. It had similarities with the poster of a Portuguese musician named Quim Barreiros, which was released in 1973.[30] The second poster of was launched on 20 August 2014 at an event in Mumbai. This poster was also released in the form of motion poster on YouTube. The new poster featured Aamir Khan wearing traditional Rajasthani attire, also sporting dark glasses and holding onto a brass tenor. The promotional strategy for the movie was revealed by the makers at the launch of the second poster.
The third motion poster introduced Sanjay Dutt as Bhairav Singh. The fourth motion poster Anushka Sharma along with Aamir Khan released on YouTube 16 oct 2014. The poster introduced Anushka Sharma as Jagat Janani Aamir Khan stated that PK will have a poster campaign in which a new poster will be introduced every two to three weeks. By the time the movie releases, 8 to 10 posters will be launched. The teaser released on 23 October
Post interval, it slumps. The focus, which till then is on a character who intrigues us while interesting things are happening to him, gets diluted by a wholly superfluous romance (and songs, tuneful as a couple are), and a face-off between the guy awash in goodness who asks all the right questions and the bad godman who has all the wrong answers.
The robustness of the dialogue (it has a word which made me gasp and laugh out loud, but I’m not telling which) and the sting in the situations way to exposition. From this point on, ‘PK‘ becomes a message-y let-us-expose-those-who-give-religion-a-bad-name, just like the magnificent ‘Munnabhai’ took the pants off bad medical practice, its sequel docked legal sharks, and ‘3 Idiots’ taught a lesson to misguided educators.
- See more at: http://indianexpress.com/article/entertainment/movie-review/pk-review-aamir-khan/#sthash.NoNBQNzC.dpuf
Post interval, it slumps. The focus, which till then is on a character who intrigues us while interesting things are happening to him, gets diluted by a wholly superfluous romance (and songs, tuneful as a couple are), and a face-off between the guy awash in goodness who asks all the right questions and the bad godman who has all the wrong answers.
The robustness of the dialogue (it has a word which made me gasp and laugh out loud, but I’m not telling which) and the sting in the situations way to exposition. From this point on, ‘PK‘ becomes a message-y let-us-expose-those-who-give-religion-a-bad-name, just like the magnificent ‘Munnabhai’ took the pants off bad medical practice, its sequel docked legal sharks, and ‘3 Idiots’ taught a lesson to misguided educators.
- See more at: http://indianexpress.com/article/entertainment/movie-review/pk-review-aamir-khan/#sthash.NoNBQNzC.dpuf

1 comment: